ANIMATIONS STAR HOW TO
ANIMATIONS STAR MOVIE
ANIMATIONS STAR SERIES

Those numbers certainly indicate a shift to the direction WIA envisions, which is “a world in which women share fully in the creation, production and rewards of animation, resulting in richer and more diverse entertainment and media that move our culture forward.” And according to Lisa Salamone, a 20-year veteran of Disney Television Animation, she’s noticed the change. “Now it’s the reverse, so it’s 75 percent female and 25 percent male.” “The percentages in terms of gender breakdown from 10 years ago was about 25 percent female, 75 percent male,” Burnett explained. She’s kind of perfectly imperfect.”Īnd there indeed may be more Star Butterflys on the way with women’s influence in animation growing, as evidenced by the statistics of attendees in Cal Arts’ Animation Program. I think she really gets to be her own person. “What I like about Star personally is that she is girly and she’s not just a tomboy, which is kind of nice. “At Disney, nobody had a problem with her getting to be her,” Nefcy said about her lead character, Star. The group engaged in a discussion that spanned topics related to the series, the Star Butterfly character and women’s involvement in animation in general.

ANIMATIONS STAR SERIES

The group recently held a special screening of the new series and panel, featuring Daron, Eden Sher (the voice of Star), Lisa Salamone, senior vice president, Production, TVA, Brooke Keesling, director, Animation Talent Development, TVA and Maija Burnett, the director of the Character Animation Program at Cal Arts. WIA brings together a global community of animation professionals to empower and support women in the art, science and business of animation. With a female lead-Star Butterfly, a teenage princess from another dimension who is sent to live on Earth in an effort to protect her powerful magic wand-it’s no surprise that this show and its creator caught the attention of Women In Animation (WIA). The Forces of Evil comes from the mind of creator and executive producer Daron Nefcy, a 29-year-old female graduate of Cal Arts, who was recently named in Forbes’ “30 Under 30” and one of Variety’s 10 Animators to Watch. We want the text to come up from the bottom of the screen without the viewer being able to scroll and see the text before it enters.Star vs. The X, Y and Z-axis of a three-dimensional planeįirst, let’s set up the document so that the screen is not scrollable. This gives the impression the text is both slide up the screen and away from the viewer at the same time. The trick is to imagine a three-dimensional space where the text crawls vertical up the Y-axis and out along the Z-axis. This is not necessary, but could provide you with additional styling options should you need them.

ANIMATIONS STAR MOVIE

You may have noticed that the movie title is wrapped in an extra container called title. A container called crawl that will hold the actual text and be the the element that we apply the CSS animation to.

This is also necessary because we will be using the perspective CSS property, where having a parent element is a helpful way to add depth or skew a child element’s transform property.

A container called star-wars that we will use to position the content.

Pursued by the Empire’s sinister agents, Princess Leia races home aboard her starship, custodian of the stolen plans that can save her people and restore freedom to the galaxy… Rebel spaceships, striking from a hidden base, have won their first victory against the evil Galactic Empire.ĭuring the battle, Rebel spies managed to steal secret plans to the Empire’s ultimate weapon, the DEATH STAR, an armored space station with enough power to destroy an entire planet. The Basic HTMLįirst, let’s set up out HTML for the content: See the Pen Star Wars Intro by Geoff Graham ( on CodePen.

ANIMATIONS STAR HOW TO

We can achieve a similar effect with HTML and CSS! This post is more about how to get that sliding text effect rather than trying to re-create the full Star Wars opening sequence or matching the exact styles used in the movie, so let’s get to a place where this is the final result: The effect of text scrolling both up and away from the screen was both a crazy cool special effect for a movie back in 1977 and a cool typographical style that was brand new at the time.

Animations star